A teaser:
When pressured to tame her “grotesque” characters and to sanitize her Southern Gothic fiction, [Flannery] O’Connor balked. She’d seen the sentimental drift in Christian writing, and it was, she said, “a distortion that overemphasized innocence.” And innocence, when exaggerated in a fallen world, not only mocked the true state of man and society, but the price that was paid for their redemption.
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