tag:blogger.com,1999:blog-26401815.post2500266292519571281..comments2023-08-13T04:25:27.199-06:00Comments on Spoiled for the Ordinary: A Few Good PostsJasonhttp://www.blogger.com/profile/18363518142334125056noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-26401815.post-85310366308635019172011-07-06T15:26:52.411-06:002011-07-06T15:26:52.411-06:00Flannery O'Connor! <3 (and total high-fives...Flannery O'Connor! <3 (and total high-fives for the shout-out!)<br /><br />One of the things I notice in modern genre efforts is the tendency to question our forebears (and when I first wrote that out, I wrote it as "forbears" and I got this great idea about fiction for bears...)--in romance, we do it with Jane Austen, Charlotte Bronte, and Georgette Heyer. Because they broke rules we made up long after they'd shuffled off this mortal coil.<br /><br />I think the idea of identifying genre as specifically as we like to do nowadays does us a disservice. Identifying a series of traits that label something "Christian fiction" or "romance" or "horror" implies that there's some person or group from "on high" who officially sanctions (or excludes) a book based on a specific set of criteria. While that goes a long way towards helping readers find books they think they'll like, it also warns them away from books that might make them uncomfortable. Part of the way fiction transforms us is by making us uncomfortable enough to become mindful of our worldview. And what's exactly in it. It also leads to a market glutted with somewhat predictable books, which makes it harder for writers to be free to tell the stories that move them and still meet the confines of the genre.<br /><br />Looking in from the outside, as it were, limiting Christian fiction does a disservice to the genre's ability to speak to the truths held in a Christian experience that go beyond labels. It can limit (and dare I even suggest pass judgment) on the wide spectrum of experience that is a Christian experience. It happens in romance, too--romance heroines have a set of criteria they must meet, along with double-standards present on several levels when compared to the hero, the stories have a set of points that must be hit or it just doesn't feel like a romance, and deviation from those points can knock a book right out of the genre. And no, there's no committee there, either.<br /><br />In both genres, I sense that a lot of people may be missing out on wonderful, transformative reads because they don't fit the confines of the genre.<br /><br />It's a fine line to walk between "identifying your tribe" and "putting up a wall around your ghetto." :)Athena Graysonhttp://www.athenagrayson.comnoreply@blogger.com